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"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:Structural action levelIn a word, "Falling red is not a heartless thing, but turning into spring mud protects flowers more", with its beautiful images, profound expressions, sincere feelings and superb artistic techniques, has become a famous sentence that has been celebrated through the ages, inspiring future generations to uphold their dedication and shine in different fields.

Emotional expression levelDedication and self-transcendence motivationOn the road of life, we often encounter setbacks and difficulties, just as flowers have experienced the withering of flowering period and become "red". Gong Zizhen's "Falling Red" was originally a symbol of the decline of life, but the poet gave it a completely different and inspirational interpretation. It inspires us that even in adversity, even if we fall from the original glamorous "branches" and fall into a seemingly down-and-out situation, we should not feel sorry for ourselves and sink passively. Just like falling red is not immersed in the fading sadness, but with a positive attitude, she sees the value that she can transform-turning into spring mud to nourish new flowers. This tells us that setbacks are not terrible. The key lies in whether we can change our perspective in the predicament, tap our new value, and turn the unfavorable situation into an opportunity to continue to help growth, help others and help society.

The phrase "turn into spring mud to protect flowers more" highlights a lofty spirit of dedication. From an inspirational point of view, it inspires us to have a mind of self-transcendence and selfless dedication. Life should not only focus on one's own gains and losses, honor and disgrace. A truly great person is always willing to dedicate his accumulated knowledge, experience and strength to cultivate and support the latecomers and contribute to a greater cause after achieving a certain degree of personal growth. This kind of dedication is not to get rewards or praise from others, but out of deep yearning for good things and a sense of responsibility to promote the world to become a better place. It encourages us to break through the narrow self-limitation, realize a higher level of self-worth in dedication, make the meaning of life sublimate constantly in giving, and use our own "nutrients" to water the "flowers" of others' growth, so as to achieve self-transcendence on the road of dedication and write a more meaningful chapter in life.The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.